Poetry

From Issue III (2018)

 

2035

by MAYA WHITE-LURIE 

For decades we searched ambient oases, pulsing body clouds, red giants, 
blue dwarf glare, moons wet with methane seas. We mapped Earth’s neighbors 
to the millimeter—every hill gully hollow—to mark a landing site. We packed the ship,
checked the specs. Unfurled the solar sails and thrust out for our new world.

We ogled our moon in reverse, slept the route with exercise alarms, system
diagnostics, messages from home. Text only. We trusted them to watch
our small steps. Some of us learned to pray—for safe landing, for oxygen
pressure, for father sister sick cousin, for mission control. Something worked.

Each day we crumble clay like cat litter, blend minerals as instructed
while the nuclear electric reactor drips clicks in oxygen tanks, its regulated tick
like a leaky apartment faucet. We miss Earth annoyances now: traffic jams and 
telemarketers and too-sweet iced tea as we wring water from the ice cap sip by sip, 
catch the liquid before it freezes back. The reclaimer flushes it, we drink again. We tilt
the mirrors, calculate, adjust, raise a greenhouse, huddle in blow-up tents for soybeans to bud.

 
 
Fire Behavior | JUDITH SKILLMAN Oil on canvas, 14 x 11 in., 2018

Fire Behavior | JUDITH SKILLMAN
Oil on canvas, 14 x 11 in., 2018

 
 

Maya White-Lurie

Maya White-Lurie’s writing has been published internationally in various journals and chapbooks. She lives in Concepción, Chile, where she teaches English and writes every day. Her website is mayawhitelurie.wordpress.com.

Judith Skillman

Judith Skillman is interested in feelings engendered by the natural world. Her medium is oil on canvas and oil on board; her works range from representational to abstract. Her art has appeared in Minerva Rising, Cirque, The Penn Review, and The Remembered Arts. She studied at the Pratt Fine Arts Center and the Seattle Artist League. Her website is jkpaintings.com.