Issue 6.2 (2021)
Cultivation, from the Latin root cultus meaning “care” or “labor,” is a slow, tender act that requires effort, patience, and hope for the future. When we cultivate we create something, over time, that’s far greater and more wonderful than the seed we began with. To cultivate, even in the face of species extinction and climate crisis, is to insist upon beauty and growth.
For this issue, we asked contributors to think about what cultivation means to them, both internally and externally. Writers and artists explored cultivation in its myriad forms: from the relationships we cultivate with the microbes in our kitchens, to the bizarre and wonderful self-cultivation of a native garden, to visions of the impacts on our world when cultivation goes astray. They share their ideas of what cultivation can be in a world that’s simultaneously bursting with possibilities and often devoid of hope.
Their work reminds us that to cultivate a lasting relationship with the earth, we have to look beyond ourselves, beyond our usual frames of reference. To remember that we are part of a community of living things, all seeking something more, all churning towards a common fate. To cultivate is to learn patience, even to suffer, in the pursuit of something we might never see completed in our lifetimes. To cultivate is to find the “beauty in the waiting,” as Annie Dillard wrote in Pilgrim at Tinker Creek. It is to care, when so much of our world encourages us to stay numb.
We invite you to re-imagine your world, to see it through the lens our contributors have so generously shared, and to cultivate a new path forward, no matter where you are in the world or in your life. This issue is not the garden, but the seed. Read it with care.
Poetry
Once | Cathy Barber
Pause | Heather Bourbeau
someday your animal | A. Henry Carnell
Country Letters | Allisonn Church
The Language of Birds | Danielle Fleming
Winter Coleus | Xiaoly Li
takotsubo | Sherry Luo
Bosque | Anne Haven McDonnell
Keepsake | Daniel McGee
For a Laid-Off Worker | Amy Miller
on surrender | Salaam Odeh
Synaptic Trees My Astral Arms | Bobby Parrott
The Sower | Kristen Staby Rembold
How to Sit with Petunias | Gwendolyn Soper
Department of Agriculture Photographer, 1943 | Amelia L. Williams
Fiction
The Beached Whale | Vrinda Baliga
The Ones Who Run | M. C. Benner Dixon
Sanctuary | Shilo Niziolek
The Last Days | Vey Yu, Translated by Yang Eun-Mi
Nonfiction
Multiculturalism | Benjamin DuBow
Penelope’s Resistance | Alexis Lathem
Yesterday’s Eden | Ken Malatesta
Post-Surgery Exposure to Wind and Water | Tyler Orion
Cover Artist
Autumn Rozario Hall is a Latina painter, dreamer, mother, and creator of stories. She lives and works in Des Moines, Iowa. She is a recipient of two Community Art Grants from the Iowa Natural Heritage Foundation and is currently working within the rewilding movement, blending art with environmental outreach in the form of gallery shows, native plant workshops, and writing. Her paintings have been shown in art galleries throughout the US, including in Brooklyn, Portland, San Diego, and Nashville. She is active in her local art community, shares her work in solo and group shows, and participates in art fairs and community art projects. Through her work, she seeks to share a sense of wonder and create art that inspires and uplifts. Her acrylic and mixed media paintings explore story and human connectivity to nature.